Hear more from Ru Kuwahata and Max Porter of Tiny Inventions on using grants and residencies in Europe to fund their animation practice, negotiating the slow, labor-intensive process of stop-motion animation with the demands of commercial clients, how even an Oscar nomination didn't prevent future failures or rejections, making the hard decision to shelve a feature film they'd worked on for years, and how they balance their time between family, teaching, and running a small business.
